Most of us have seen photographs of the Paleolithic paintings on the walls of France's Grotte Chauvet. Some of the pictures are 32,000 years old.
While the horses, owls, and rhinoceros are exquisite, what I find haunting are the hands. Hundreds of outlined hands cover the walls, some imprinting the animal paintings with a kind of artist's signature, some all on their own or in groupings.
Not limited to the famous European caves, similar handprints are found worldwide, in places as diverse as South America and Australia. Their makers pressed their hands onto stone walls throughout the centuries and millennium, forming 'a great crowd of witnesses' to humanity's unwritten history.
While the words of men seem to dominate much of our written history, prehistory was more egalitarian. Modern analysis and measurements show that many, if not most, of the Grotte Chauvet's handprints, belonged to women.
What were these women saying? What were their stories?
I believe their stories are essentially the same as ours: I was here. I lived. I loved.
For just a moment, I was.
And so they were. And so we are.
Let us whisper our adventures into our daughters' ears. Let's laugh with our friends, and write our hopes and dreams in our journals, letters, and blogs.
Tell your story. Leave a handprint on the Wall.
Today has been an exciting day! Received the news this morning that my little 'trash bandit' poem for the 10th annual #Halloweensie contest received an honorable mention!
Check out all the other winners and prizes here on Susanna Hill's blog.
Results are in and I'm thrilled to learn my take on the Little Red Riding Hood story was among the winners.
A big, big thank you to both organizers Kaitlyn Sanchez and Lydia Lukidis as well as guest judge Donna Barbra Higuera. Read more about the contest, as well as all the fabulous writers and their prizes here on Lydia Lukidis' blog.
Though the contest is over, the Fall Writing Frenzy fun isn't! Kaitlyn found a way to keep the writing energy going--check it out here.